Special Offer
home office & storage: now -30%
The 1050 sideboards and a desk that tucks the day beneath it — for the home where work and living share the same wall. Made to order in solid wood, ready to ship now.
Find your new design icon
the collection
Design classics from the sixties, and the originals that keep their language.
armchairs
chairs
bar stools
sofas
tables & desks
sideboards
As seen in
A legacy of makers
our designers
Every 366 Concept piece begins with an original drawing from the mid-twentieth century — by designers trained at fine arts academies, shaped by study in Copenhagen and Helsinki, and committed to furniture that is honest in its materials and made to last.
We hold exclusive rights to their work, granted by their families. Some pieces are faithful reissues built from original technical drawings. Others extend a designer’s idea into forms they never had the opportunity to implement. In every case, we honour the thinking behind the original vision.
Józef Chierowski
Józef Chierowski trained as an architect and designed pianos before fire tore through the Świebodzice factory in 1962. The seat he drew in answer — the 366 Armchair, a light frame cut to essentials — went on to sell over half a million.
Rajmund Hałas
Rajmund Hałas came back from a scholarship in Finland with an instinct for lightness — structural clarity, nothing spare. It carries straight into the 200-190 of 1963: a slim frame under a single curved backrest, one of the decade's most recognised silhouettes.
Henryk Lis
Henryk Lis lost his left hand as a political prisoner, then drew one of the most quietly elegant chairs of the era: the compact 300-190 of 1966. The state never put his name on it, so the chair took it anyway — today it's the Fox, lis being the Polish word for fox.
Edmund Homa
Edmund Homa learned his discipline designing ship interiors, every centimetre accounted for — and you can see it in the Homa 104 of 1966, a single continuous line closer to sculpture than joinery. A scholarship to Ole Wanscher's studio in Copenhagen followed in 1968.
Zenon Bączyk
Zenon Bączyk came to furniture from graphic design, and the Stefan gives him away: an openwork back that reads almost as a drawing in space. Early 1960s, low and deep, in the language of Danish modernism — made to be lived in.
specified across the world
our projects
A stadium in Eindhoven. Hotels on the Mediterranean and the Adriatic. The same pieces you can order, put into spaces that test furniture daily — and keep it for years.
over 60 years of heritage
One factory and two chairs – that’s where it all began. Two icons of Polish mid-century design that made 366 Concept what it is today.
most loved
Our most sought-after pieces – chosen for a reason, kept for a lifetime.
a sculpture in wood. homa 104 chair.
Edmund Homa designed this chair in 1966. Now, decades later, it returns as proof that good design never goes out of style. Solid wood, precision in detail, calm proportions.